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TO THE READER,

Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet.,

"Look here," says Geoffrey. "I won't have Mona spoiled. If she hadn't a headache, she hadn't, you know, and if you were at home, why, you were, and that's all about it. Why should she tell a lie about it?",

Nothing daunted, however, by this reception, Geoffrey returns his grasp with interest, and, looking fresh and young and happy, runs past him, up the stairs, to his mother's room, to beard—as he unfilially expresses it—the lioness in her den. It is a very cosey den, and, though claws maybe discovered in it, nobody at the first glance would ever suspect it of such dangerous toys. Experience, however, teaches most things, and Geoffrey has donned armor for the coming encounter.

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To her there is nothing strange or new, either in the hour or the place. Often does she come here in the moonlight with her faithful attendant and her two dogs, to sit and dream away a long sweet hour brimful of purest joy, whilst drinking in the plaintive charm that Nature as a rule flings over her choicest paintings.,

"That is not correct," says Mona. "We have a baronet here, Sir Owen O'Connor, and he is thought a great deal of. I know all about it. Even Lady Mary would have married him if he had asked her, though his hair is the color of an orange. Mr. Rodney,"—laying a dreadful stress upon the prefix to his name,—"go back to England and"—tragically—"forget me?",

To this name, given to her in such an unkindly spirit, Mona clings with singular pertinacity. Once when Nolly has called her by it in Lady Rodney's hearing, the latter raises her head, and a remorseful light kindles in her eyes; and when Mr. Darling has taken himself away she turns entreatingly to Mona, and, with a warm accession of coloring, says, earnestly,—,

"What is amusing you?" asks he, a trifle stiffly.—To give way to recitation, and then find your listener in agonies of suppressed mirth, isn't exactly a situation one would hanker after.